Would Tennessee Williams have liked The Streetcar Project’s production of his most famous play, “A Streetcar Named Desire,” the 1948 Pulitzer Prize-winning drama that follows the destitute Blanche as she seeks refuge with her sister Stella and Stella’s rough-and-tumble husband Stanley Kowalski? Williams, never a hyper-realistic playwright, created a sometimes dream-like atmosphere. The published script of “Streetcar” begins with a page-long description of how he imagined the set: “The sky that shows […]