The first two minutes of Shotgun Players’ production of Deneen Reynolds-Knott’s “Babes in Ho-lland,” a world premiere that opened this month, set the stage for a high-wire, electric love story. It is a winter day in Pittsburgh, mid-1990s. Dorm-mates at a predominantly white college enter and dance in their room. First Ciara (Sundiata Ayinde) dances with […]