Posted inArts & Entertainment Review: Satya Chávez a tour de force in Marin Theatre’s ‘Where Did We Sit on the Bus?’ by Caroline Crawford, Bay City News May 10, 2023May 10, 2023
Posted inArts & Entertainment Review: Aurora Theatre retells Rostand classic in ‘Cyrano’ by Caroline Crawford, Bay City News April 15, 2023April 15, 2023
Posted inArts & Entertainment Review: African-American Shakespeare Co. brings new vibrancy to ‘Glass Menagerie’ by Caroline Crawford, Bay City News March 20, 2023March 20, 2023
Posted inArts & Entertainment Review: ‘Cambodian Rock Band’ at Berkeley Rep reveals power of music over evil by Caroline Crawford, Bay City News March 3, 2023March 3, 2023
Posted inArts & Entertainment Review: Opera gets new look in Opera Parallèle’s ‘Everest: An Immersive Experience’ by Caroline Crawford, Bay City News February 6, 2023February 6, 2023
Posted inArts & Entertainment Review: Shotgun Players’ ‘Natasha’ a winning theatrical take on Tolstoy by Caroline Crawford, Bay City News January 10, 2023January 10, 2023
Posted inArts & Entertainment Marin Theatre Co. superbly stages August Wilson’s ‘Two Trains Running’ by Caroline Crawford, Bay City News December 9, 2022December 9, 2022
Posted inArts & Entertainment SF Opera dazzles with new production of ‘Orpheus and Eurydice’ by Caroline Crawford, Bay City News November 18, 2022November 18, 2022
Posted inArts & Entertainment Cast and crew shine in SF Opera’s powerful production of ‘Dialogues of the Carmelites’ by Caroline Crawford, Bay City News October 21, 2022October 22, 2022
Posted inArts & Entertainment Review: SF Opera’s sparse ‘Eugene Onegin’ lacks elegance, passion deserving of classic by Caroline Crawford, Bay City News October 3, 2022October 4, 2022
