As Edward Albee’s offbeat, provocative play “The Goat, Or Who Is Sylvia?” begins, the rapid banter between the married couple feels comfortably Theatre of the Absurdish, with its tight, clever, certain rhythm, not quite realistic. In the Shotgun Players’ production in Berkeley, Martin (William Giammona) and Stevie (Erin Mei-Ling Stuart), in color-matching white and pink outfits, seem familiar enough as theatrical characters. He’s 50, a prize-winning architect, and […]