The four characters in Maury Zeff’s “Dada Teen Musical: The Play,” now at Central Works (it’s the Berkeley company’s 78th world premiere), fall neatly into established stereotypes. In this case, it’s not a bad thing. Even though none of the four really changes much during the course of two acts, they’re such imperfect human beings, and so funny, you kind of don’t want them to. You want to watch everything fall apart. The exception, and perhaps the play’s central […]
