The late Roger Ebert didn’t simply hate Gregg Araki’s sexually provocative, violently outrageous 1995 black comedy “The Doom Generation”—the second in the upstart filmmaker’s “Teenage Apocalypse” trilogy—he all but deep-fried it, fricasseed it, then smacked it with that critical kiss of death: zero stars. Didn’t deserve it. But the legendary, revered Ebert was not alone in […]
