In a historic first, the Sundance Film Festival is coming to the Bay Area. And while many drive-in screenings in San Francisco are already sold out, don’t despair. In true Sundance fashion, a select amount of tickets will likely be released Jan. 25. To get in on that action, sign up newsletter updates at

Sundance has always been the undisputed champion of independent filmmaking, and while the festival this year won’t be drawing throngs of celebs, journalists and movie fans to Park City due to COVID-19, you can watch at the comfy confines at home, or at the drive-in. For a complete list of films and to order a limited number of tickets and passes, visit

Sundance is lending needed support to indie moviehouses reeling from shutdowns. The venerable Roxie is the only Northern Californian location that’s receiving the Sundance Institute’s helping hand. It is partnering with the festival to show a smidgen of the programming, which it will screen at the pop-up drive-in, Fort Mason Flix. 

Tickets are $49 per car, with all funds benefiting the Roxie. Here’s a rundown on the films set to screen:

Emilia Jones stars in “Coda.” (Courtesy of Sundance Institute)

“CODA”: In this family drama — a best U.S. feature contender and a world premiere — a young woman (Emilia Jones) confronts a hard decision, either help her family members, who are deaf, maintain control of their fishing business or pursue her own dreams. (5 p.m., Jan. 28:

Tenoch Huerta Mejía stars in “Son of Monarchs.” (Courtesy of Sundance Institute)

“Son of Monarchs”: In this Alfred P. Sloan Feature Film Prize winner, a New York scientist returns to his small Mexico hometown, a magnet for monarch butterflies. Estranged from his brother, Mendel (Tenoch Huerta) must reconcile with the past and the present so his life too can get out of the larval stage and take flight. Playing in the NEXT program. (8:15 p.m., Jan. 28:

“Rita Moreno: Just a Girl Who Decided to Go For It”: The resilient, incredibly talented 89-year-old East Bay treasure endured rampant racism to become one of the rare EGOT artists, winner of an Emmy, Grammy, Oscar and Tony. Mariem Perez Riera’s documentary charts the “West Side Story” actress’ path as one of the most influential Hispanic American artists. It receives a world premiere and is up for a best U.S. documentary award. (5:10 p.m., Jan. 29;

Reece Shearsmith discovers the woods are alive in “In the Earth.” (Courtesy of Sundance Institute/Neon)

“In the Earth”: Will filmmaker Ben Wheatley rebound after his flaccid “Rebecca” redo for Netflix? Looks possible given the creepy, gripping premise of his latest, a virus thriller where a trip through the woods is anything but pleasant. It receives a world premiere. (8:10 p.m., Jan. 29;

Sisters are doing it for others in “Rebel Hearts.” (Courtesy of Sundance Institute/photo by Corita Art Center, Immaculate Heart Community, Los Angeles)

“Rebel Hearts”: Catholic sisters in Hollywood unite to create a radical college that made a habit of ’60s-era protests ranging from Selma to women’s marches. But as filmmaker Pedro Kos relates in his U.S. best documentary contender, a cardinal’s outrage puts them to the test. (5 p.m., Jan. 30;

Camaron Engels and Francesca Noel star in an updated version of “Romeo and Juliet,” “R#J.” (Courtesy of Sundance Institute/photo by Charles Murphy)

“R#J”: Shakespeare’s tragic-lovers classic has been adapted countless times, from Oscar-winning musicals (“West Side Story”) to schlockfests (“Tromeo & Juliet”). So will Carey Williams’ TikTok-like variation — with all the action taking place on cell phones — reboot interest in a new generation? We’ll have to find out. (8:05 p.m., Jan. 30;

Betsy West and Julie Cohen shine a spotlight on an influential activist and lawyer in “My Name is Pauli Murray.” (Courtesy of Sundance Institute/photo by Pauli Murray Foundation)

“My Name is Pauli Murray”: The filmmaking team of Betsy West and Julie Cohen scored Oscar nominations for their excellent 2108 documentary, “RBG.” Now the dynamite duo turn their lens on another influential legal eagle, a non-binary Black activist who argued for gender equality and pushed for civil rights. While Pauli Murray’s name is hardly as recognizable as an influencer as the late Ruth Bader Ginsberg, West and Cohen’s documentary — receiving a world premiere — hopes to put Murray in the international spotlight. (4:45 p.m., Jan. 31;

Ed Helms and Patti Harrison star in the surrogate-themed drama “Together Together.” (Courtesy of Sundance Institute/photo by Tiffany Roohani)

“Together Together”: A 26-year-old surrogate (Patti Harrison) and a 40-year-old man (Ed Helms) find a growing connection in director/screenwriter Nikole Beckwith’s world premiere, costarring Tig Notaro. Sound like a standard rom-com? This U.S. dramatic competitor is not. (7:45 p.m., Jan. 31;

“Users”: In this unsettling, personal documentary, filmmaker Natalia Almada questions our overdependence on technology, and how it is shaping and changing our youngest generations — including her son. It receives a world premiere and is competing in the best U.S. documentary category. (5:15 p.m., Feb. 1;

Mike (Tyson Brown) just wants to go out on his “First Date.” (Courtesy of Sundance Institute/photo by Manuel Crosby)

“First Date”: A shy Black teen (Tyson Brown) finds his awkward attempts to take out a special someone (Shelby Duclos) foiled at every turn in the rollicking feature filmmaking debut of South Lake Tahoe’s Manuel Crosby and Valley Springs’ Darren Knapp. “Date” is featured in Sundance’s NEXT program, which spotlights up-and-coming filmmakers and their innovative works. (8 p.m., Feb. 1;

“Try Harder!”: Got a stressed out high school student at home who’s freaking out over college applications? You and yours will want to make an evening out of Debbie Lum’s documentary. Lum turns her lens on San Francisco’s top-ranking public high school — Lowell — and plunges into the high demands/expectations that get placed on students by others and themselves. It is competing in the best U.S. documentary category. (4:45 p.m., Feb. 2;

“Amy Tan: Unintended Memoir”: In his last film, the late Fairfax filmmaker James Redford, son of Robert Redford, directed this intimate portrait of bestselling novelist Amy Tan. Using her works as a diving-off point, Redford brings to life how the Oakland resident and author of “The Joy Luck Club’s” past influences her present — both on and off the page. (7:45 p.m., Feb. 2;